Dynamic Collection

The Dynamic Collection brings together three advanced sequencer-based effects for creative rhythmic shaping. Inertia v3 is a versatile envelope sequencer with up to 32 steps, multiple envelope variations, and advanced timing options—perfect for sidechain-style pumping, intricate tremolos, or complex gating patterns.

Switch v3 delivers a precision gate sequencer with 8 editable patterns, swing control, and analog-style smoothing for everything from trancegates to stuttered chops.

Array v4 takes rhythmic processing into the spectral domain, splitting audio into 8 frequency bands with independent gate sequences, resonant filters, and stereo spread for detailed spectral manipulation.

Together, these plugins offer endless ways to transform dynamics, rhythm, and tone.

Inertia v3

Inertia is an envelope sequencer effect plugin for Mac, Windows and Linux. At its core is a multi-step envelope generator with four separate envelope parameters per each step, with more than 50 possible shape variations. This generator is driven by an elastic step sequencer that has both polymetric and polyrhythmic abilities, and also offers a very wide range of timing settings. A single Inertia preset holds up to 8 sequencer patterns which can be switched on the fly. The final envelope signal is shaped using an ultra-smooth, analog-style low-pass filter, and is then used to modulate the level of the plugin’s input audio. Thanks to its incredible ease of use, Inertia is a universal, highly flexible tool for quickly creating expressive level accents, sidechain-style pumping, elaborate tremolo effects, sophisticated gating and strobing patterns – and much beyond.

Sound Engine

• Multi-envelope generator with up to 32 steps, each with independently variable envelope type, divisions, polarity, and level
• Up to 8 separate sequences per preset
• Step sequencer with rhythmically correct swing, polymetric and polyrhythmic abilities
• Two-pole analog-style lag filter for variable envelope shape smoothing
• One-pole lag filters on all continuous parameters for smooth, click-free adjustment
• Supports mono › mono, mono › stereo, and stereo › stereo channel configurations

Graphic Interface

• Color-coded graphic elements
• Consistent name, mapping, value, and unit implemented for all parameters in both graphic user interface and host control/automation
• Sequencer pattern macro editing functions: copy, paste, reset, trim, invert, shift, evolve, randomize, loop region
• Built-in preset management functions
• Supports window size scaling up to 200%

Learn more about Inertia v3.

Switch v3

Please Note: Switch v3 is a free upgrade for those who owned the previous version of Switch.

Switch is a gate sequencer effect plugin. At its core foundation is a high-precision step sequencer that’s running in sync with the host transport and driving a gate pattern – a series of on/off switches that define whether the input audio will be passed through (gate open) or will be muted (gate closed). Switch has a total of 8 gate patterns with up to 32 steps each, and offers an extremely wide range of timing settings for creating polymetric or polyrhythmic motion in any time signature. A single gate pattern is active at a given time, however, all of the patterns can be edited on the fly, and the interface also offers multiple macro editing functions.

The sequencer algorithm has advanced swing support: not only the ratio can be smoothly adjusted in real time, with both positive and negative values, but it also keeps correct swing timing when the pattern length is an odd number. The gate itself has variable time and is shaped using a two-pole low-pass filter for natural yet snappy transitions – not too far from an analog circuit. With all its simple tools combined, Switch allows for extremely quick creation of rhythmic audio level patterns: from classic trancegate and intricate tremolo effects, to beat chopping, pulsating accents, complex staccato, and beyond.

Furthermore, the preset format of Switch is fully open: it uses pure XML to clearly present the plugin’s main parameters as well as all the sequencer patterns. This means anyone has the ability to view and modify this data in a text editor, and also generate custom gate patterns via any programming language.

Features

• Step sequencer with rhythmically correct swing, polymetric and polyrhythmic abilities
• 8 gate patterns with individual step count
• Two-pole analog-style lag filter for variable gate transition smoothing
• One-pole lag filters on all continuous parameters for smooth, click-free adjustment
• Supports mono › mono, mono › stereo, and stereo › stereo channel configurations
• Color-coded graphic elements
• Consistent name, mapping, value, and unit implemented for all parameters in both graphic user interface and host control/automation
• Sequencer pattern macro editing functions: copy, paste, clear, invert, shift, evolve, randomize, loop region
• Built-in preset management functions
• Open preset format for experimental pattern tweaking and generation
• Supports window size scaling up to 200%

Learn more about Switch v3.

Array v4

Array is a spectral sequencer effect plugin for Mac, Windows and Linux. Using multiple crossover filters, it splits audio into 8 frequency bands that are separated exactly one octave apart. Each band then runs through a gate controlled by an advanced step sequencer – allowing you to carve the audio spectrum in precise rhythmical fashion. The crossover filters themselves have a clean, neutral character and do not color the sound in any way – however, Array also features 8 band-pass filters (one for each band) with variable resonance and slope, and those can be enabled for more radical spectral effects – even up to vocoder-like morphing. Additionally, the spread function can gradually pan the frequency bands across the stereo field.

The sequencer holds a total of 8 different gate patterns with up to 32 steps each, and offers a very wide range of timing settings for creating polymetric or polyrhythmic motion in any time signature. The gate switches on every frequency band are shaped using a two-pole low-pass filter for natural yet snappy transitions. Combined with the unique design of the filter section, this sophisticated timing engine makes Array an extremely versatile instrument for complex rhythmical manipulation of the sound spectrum – going anywhere from surgical precision to filtering beyond recognition.

Sound Engine

• Clean, neutral -24 dB/octave crossover filters that split audio into 8 frequency bands, tuned one octave apart
• Optional state-variable, resonant band-pass filters per each frequency band, tuned one octave apart, with adjustable slope
• Individual gate sequence per frequency band, with 8 separate sequence patterns per preset
• Step sequencer with rhythmically correct swing, polymetric and polyrhythmic abilities
• Two-pole analog-style lag filters for variable gate transition smoothing
• Progressive bipolar pan spread between the frequency bands
• One-pole lag filters on all continuous parameters for smooth, click-free adjustment
• Supports mono › mono, mono › stereo, and stereo › stereo channel configurations

User Interface

• Color-coded control elements
• Consistent name, mapping, value, and unit implemented for all parameters in both graphic user interface and host control/automation
• Sequencer pattern macro editing functions: copy, paste, reset, trim, invert, mirror, reverse, evolve, randomize, shift, loop
• Built-in preset management functions
• Open preset format for experimental pattern tweaking and generation
• Supports window size scaling up to 200%

Learn more about Array v4.